Franz Peter Cibulka (1946-2016) was an Austrian clarinetist, composer, conductor, and educator primarily known for his works for clarinet ensemble and symphonic band. He taught at the Johann Joseph Fux Konservatorium in Graz. His prolific output of over 500 works includes pieces for winds, brass, choir, strings, and electronics. Franz was beloved by his students.

Cibulka’s music is distinguished by a unique modern Austrian idiom, marked by sophistication and expressive storytelling. His compositions make a substantial contribution to contemporary literature for woodwinds and brass. Notable clarinet works like “Claroness” and “s’Zwitscherl” exhibit a captivating quality, reflecting Cibulka’s deep interest in the instrument and its expressive potential.

Since our first collaboration at the 2015 ICA ClarinetFest in Madrid, and especially after his passing in 2016, I am promoting, editing, and curating Franz Cibulka’s works, while also staying in close collaboration with his family. 

Catalog of Works

 

 

Franz Cibulka’s Catalog of Works

This catalog serves as the central, comprehensive database for exploring Cibulka’s compositions, organized in multiple ways: alphabetically, by genre, and by level of difficulty. It also includes music samples and recordings featuring the composer.

It is actively managed by Dr. Barbara Heilmair and Michael Cibulka. This ongoing process involves regularly updating and expanding the catalogue as new or rediscovered works from the oeuvre are identified.

Concerts and Premiere Performances

To make Cibulka’s music more known in the United States and elsewhere, I regularly play and conduct his pieces.

Many of these concerts feature premiere performances in the USA or worldwide.

In 2025, the American composer Nicole Buetti was commissioned to write a piece in memory of Franz Cibulka and Gary Gray.

Claroness Madrid Version

World Premiere

2015 ICA Madrid ClarinetFest

B. Heilmair, Clarinet, with Austrian Clarinet Choir Conductor: Franz Cibulka

S’Zwitscherl für Zwei

World Premiere

2015 Portland State University Clarinet Symposium

B. Heilmair, Clarinet, with Trio s’Zwitscherl

S’Zwitscherl für Zwei

European Premiere

2018 Galerie Benzenberg/ Germany

B. Heilmair, Clarinet, with Trio s’Zwitscherl

Zweites Bläserquintett

U.S. Premiere

2019 PSU Noon Concert

B. Heilmair, Clarinet, with PSU Woodwind Faculty

s’Zwitscherl for Clarinet and Piano

U.S. Premiere

2023 PSU Noon Concert

Barbara Heilmair, Clarinet, with Kerry Politzer, Piano

Stille Gedanken for Clarinet Choir

U.S. Premiere

2024 Tigard United Methodist Church

Zephyr Clarinet Choir Conductor: Barbara Heilmair

Sonatine for Clarinet and Piano

U.S. Premiere

2025 PSU Noon Concert

Barbara Heilmair, Clarinet, with Julia Lee, Piano

Suite No. 10 “Australia” for Clarinet Quartet

U.S. Premiere

2025 PSU Noon Concert

Barbara Heilmair, Clarinet, with Ricky Smith, Amy Scurry, Juan Castaneda

Musik für Klarinettenquartett

U.S. Premiere

2025 PSU Noon Concert

Barbara Heilmair, Clarinet, with Ricky Smith, Amy Scurry, Juan Castaneda

Elegie (arranged for Two Clarinets and Piano by Heilmair)

World Premiere

2025 PSU Single Reed Day

Barbara Heilmair, Clarinet, with Virginia Figueiredo, Clarinet, and Sequoia, Piano

Elegie (arranged for Two Clarinets and Piano by Heilmair)

European Premiere

2025, Germany, Forthcoming

Barbara Heilmair, Clarinet, with Trio s'Zwitscherl

More Music To Come

Stay Tuned...

New Editions and Recordings

As a direct result of my collaboration with Franz Cibulka, updates and thoughtful revisions are made to his sheet music. This process remains ongoing.

In 2015, Cibulka has arranged his charismatic “s’Zwitscherl” as “s’Zwitscherl Fuer Zwei” for the Trio s’Zwitscherl.

The ensemble was the first to ever record the piece. 

Reviews

I commend Heilmair for bringing more attention to Cibulka in this country. (…) I find Cibulka’s music to be uniquely Austrian, not fitting into a larger Germanic tradition as many other Austrian composers traditionally have.

— NACWPI Journal, Winter 2020, Eric Schultz

Thanks to Heilmair, we now have a definitive version of the work as a result of her collaboration with the composer and revision of at least two previous versions of the work. (…) What better way to honor the legacy of Franz Cibulka!

— NACWPI Journal, Winter 2019, Eric Schultz